An in-depth examination of the music of the 78 era.
Tuesday, April 13, 2010
"John The Baptist" - Rev. Moses Mason
Set Two: Social Music; Disc Two; Track Nine: "John the Baptist" performed by Rev. Moses Mason. "(Singing sermon) Vocal solo with guitar." Recorded in Chicago in January 1928. Original issue Paramount 12702A (20290-2).
Rev. Moses Mason was reportedly from Lake Providence, Louisiana, although no birth date is available. Whether or not Mason was actually ordained is unknown (however, I kind of doubt it). His life is a complete mystery, other than the fact that he recorded eight songs for Paramount Records in 1928 in a Chicago studio. Whether or not he came to Chicago specifically to record is unknown. Among the songs recorded at this session was this version of "John The Baptist." In addition to the sacred songs released as Rev. Moses Mason, he also released a few secular pieces, "Shrimp Man" and "Molly Man" among them, which were released under the name Red Hot Ole Mose (and can be heard on the excellent American Primitive Vol. 2 on Revenant). Mason appears never to have recorded again. His death date is unknown.
According to Jeff Place's notes to the 1997 reissue of the Anthology, "John The Baptist" "reflect[s] the importance of Reconstruction hymnody in shaping the repertoire of Black American Protestants in the 20th century." However, I have been unable to find any further information along these lines. If anybody knows more about this song and its origins, please contact me at email@example.com or leave a comment below. John done saw that number, Way in the middle of the air. John done saw that number, Way in the middle of the air.
Inculcating John The Baptist, Preaching in the wilderness All the children came from east Came from the east, For the kingdom of heaven It ain't for this is he That was spoken of by the prophecy, yeah. The voice of one Crying in the wilderness so badly. Stayed away all day Lord, It made him sadly stayed insane. John had a raiment of camel hide and a leather girdle, not his own.
John done saw that number, Way in the middle of the air. John done saw that number, Way in the middle of the air. Crying "holy, holy, holy my Lord God, holy!"
Jesus came from Nazarene unto Galilee To be baptized of John in Jordan. And John said unto Him, "Come and talk to me, I need to be baptized of Thee." And Jesus said unto John, "Suffer it to be so for Thus it becomes us to fill all righteousness."
John done saw that number, Way in the middle of the air. John done saw that number, Way in the middle of the air. Crying "How long, how long, How long my Lord, oh how long."
After Jesus was baptized of John, Straightaway out of the waters, Looked and saw heavens open. And the spirit of God came down and lit a bow on Him. And Jesus was carried up into the mountain To be tempted, all-forsaken. And when he had fasted forty days and forty nights, The tempters came unto him and said, "If Thou be the Son of God, cast thy weight 'Cause he's going to be a burden."
Jesus said unto John "Get behind me, for it is written Thou shall not tempt the Lord thy God But him only thou should obey."
John done saw that number, Way in the middle of the air. John done saw that number, Way in the middle of the air.
John the Baptist is an important figure in Christianity. He is regarded as a forerunner of Christ, whose coming John foretold. In some accounts, such as the Gospel of Luke, John is a direct relative of Christ's (his mother being Mary's sister). John is regarded as a prophet in Christianity, Islam, the Bahá'í Faith, and Mandaeism. John baptized Christ (an event recounted in this song), an act linked to the Jewish ritual cleansing or mikveh. John's practice of baptizing his followers in "living" or running water is the source of his title "the Baptist" (helping to distinguish him from several other "Johns" who appear in the New Testament). John was martyred and put to death by Herodias (a story related in the Gospel of Matthew, as well as in Oscar Wilde's play "Salome"). John's head is believed by some to have been kept and worshiped by the Knights Templar and is allegedly on display at the Residenz museum in Munich, Germany. Apart from this song, I can find no instance of John the Baptist seeing a "number way in the middle of the air."
An extremely rough recording, full of spiritual fire, Rev. Moses Mason's recording is technically a "sung sermon." Apart from the chorus, which is sung, most of the non-rhyming verses are chanted. In this song, Mason recounts not only the baptism of Christ, but also Christ's Temptation in the Wilderness. Although John is not present during Christ's temptation, Mason puts the Baptist there and even has Jesus address the words "get behind me" to John rather than Satan. What this indicates, apart from simple confusion on Mason's part, is unclear. In his notes, Smith points out that the non-rhyming verses are common to performances of this song by other artists. Smith also notes that the lyric "way in the middle of the air" also appears in songs about Ezekiel and the Wheel, and may well have been imported from one of those songs into this one. It does draw a parallel, however, between Ezekiel (an Old Testament prophet) and John the Baptist, although John's Old Testament equivalent is really Elijah (whose return is supposed to signal the coming of the Messiah, just as John foretold the coming of Christ).
"John The Baptist" is the first of four "song sermons" in a row.
The Shameless Plug Department: The fifth episode of the "Where Dead Voices Gather" podcast is finally up! It's an all jazz episode featuring early jazz recordings by the Original Dixieland Jass Band, Jelly Roll Morton, Louis Armstrong, Bessie Smith, and a whole lot more! Also available on iTunes! Subscribe today so you don't miss a single episode. It's free and it doesn't hurt. Who can ask for more?
You can also become a fan of "Where Dead Voices Gather" on Facebook and follow us on Twitter. Where Dead Voices Gather: Using today's technology to promote yesterday's music!
The Shameless Plug for Someone Else Department: If you look at the list of blogs over on the right side of the screen, you'll see one called Excavated Shellac. It's a favorite of mine and well worth checking out. Jonathan Ward, the author of Excavated Shellac, has recently put together an amazing collection released on Dust-to-Digital's vinyl-only imprint Parlortone titled Excavated Shellac: Strings. It is a collection of fourteen recordings, all originally released on 78, from all around the world. There are tracks from Armenia, India, Bolivia, Congo, Vietnam, Georgia, and Iran, and that's just side one! Each cut features a different string instrument such as the guitar, the oud, the tar, the Paraguyan harp, the hardanger, and others. My copy arrived in yesterday's mail and it is FANTASTIC. This is the best album I've heard yet in 2010 and is sure to be included in my top ten for the year. If you own a turntable, order yours today. You won't be sorry.
Here's a snippet of singer-songwriter Neko Case performing her version of "John The Baptist" in concert. It's short and the quality isn't great, but it's quite well done.